Does a concert of 16th and 17th century music have any relevance to our present moment?

The last thing I could have imagined as I sat in my high school classroom laboring over a test about the Rump Parliament was that decades in the future, in a far country, I would attend a concert featuring a ballad about the Rump Parliament. The Rump Parliament you ask? Well it’s one of those obscure English history topics like rotten boroughs or Lambert Simnel that you would be expected to know about for an exam. Hearing the popular ballads of the time would certainly have made it more interesting.
Long before newspapers, magazines, and media, street ballads were a form of political commentary and satire. The Folger Consort drew on these sources for their May concert Kings and Commonwealth, music of the English Civil War.
The program began with a Tudor Prelude, a reminder that it was the excesses of tyrannical kings that led to the Civil War. By chance I had just watched the final episode of Wolf Hall: The Mirror and the Light ending with Thomas Cromwell’s execution. Now I was treated to a broadside ballad celebrating his demise. Hilary Mantel created a sympathetic portrait of Cromwell in her novels. But at the time of his death Cromwell was a despised figure, hated for confiscating the wealth of the monasteries to enrich the king and himself, and for turning away from the Catholic faith. These themes come up in the ballad Trolle on Away, as well as distain for his humble origins.The meaning of the word trolle is obscure but may be related to a Middle English word for rolling or trundling an object, suggesting dragging Cromwell to his fate.
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