On My Bookshelf for National Poetry Month I find a book on a film of a play by a poet, the verse drama Murder in the Cathedral by T. S. Eliot. It is a story of faith, conscience, power, and murder.

I first saw this film decades ago when I was a student. Of all the films one sees in a lifetime only a few leave indelible images in the memory. I think of the first appearance of Death in Ingmar Bergman’s The Seventh Seal. And just as powerful, the chorus of women in Murder in the Cathedral who kneel in prayer and intone the sonorous words:
Since golden October declined into sombre November
And the apples were gathered and stored, and the land
became brown sharp points of death in a waste of water and mud,
The New Year waits, breathes, waits, whispers in darkness…
Now I fear disturbance of the quiet seasons:
Winter shall come bringing death from the sea,
Ruinous spring shall beat at our doors,
Root and shoot shall eat our eyes and our ears,
Disastrous summer burn up the beds of our streams
And the poor shall wait for another decaying October..
Some malady is coming upon us. We wait, we wait.
It is easy to discern the voice of the poet who wrote “April is the cruelest month,” the famous first line of The Waste Land. The chorus chant of the sufferings of the poor and set a tone of anguish and foreboding for the event to come.
