A recent online discussion in a group for Brits living in America concerned how our accents evolve over time. It reminded me of an embarrassing incident from my first weeks in America. This piece was first published in The Dabbler in November 2012.
Americans still hear my English accent, but in England people think I’m an American. In truth my accent must be hovering somewhere in the Mid-Atlantic after so many years immersion in the American dialect. It takes a long time for an accent to change. I still say “ban-ah-na” and “tom-ah-to” much to my grandsons’ amusement. But after being put in charge of library work schedules years ago I did quickly change over to saying “skedule.” I had to say the word so many times in the course of a day that “shedule” just began to sound pretentious to my own ears. As a new supervisor there was no advantage in conforming to the stereotype of a haughty, condescending Brit. But for the most part accents change unconsciously and imperceptibly like rocks polished to smoothness over millennia of tumbling in a riverbed. You land on a foreign shore speaking precise, clipped BBC English and then journey back years later to find yourself taken for a foreigner in your own hometown.
Continue reading “How I Learned To Speak American”
I wasn’t sure what I was looking at. Viewed from the top of the long sloping floor of the former power station it looked like an enormous tiered wedding cake. Perhaps it was the effect of the bland white surface that brought cake frosting to mind. The sculpture stood at the far end of the cavernous Turbine Hall in Tate Modern, where on previous visits we had seen other art installations, none particularly memorable. This would be different. As we came closer we heard the water. The tiers formed not a cake but a fountain, water 
Perhaps it was the restlessness induced by quarantine that had me prowling my own bookshelves in search of diversion. I needed a break from the world of Thomas Cromwell in Hilary Mantel’s The Mirror and the Light. (I know it is tantamount to sacrilege to criticize Miss Mantel, whose Cromwell trilogy I agree is a magnificent achievement, but did we need the menu for his every meal in the year leading up to his execution, surely the last meal would have been sufficient?) In this grumpy mood I came upon The Singing Game by Iona and Peter Opie, the legendary English folklorists, a book I hadn’t picked up 
Dispatches From the Former New World 