
Like so many people across the world I watched with horror as Notre Dame Cathedral burned. I felt grateful that I had the opportunity to enjoy its beauty before this devastating fire. After my visit I wrote favorably about how France protected the character of its churches and cathedrals as houses of worship, unlike the eyesores of secular installation art I had seen in cathedrals in England and Belgium. This is an excerpt from my post Please, Not in the Cathedral:
“It is hard for me to admit that France may be superior to England or Belgium in any way, but Notre Dame, Sacre Coeur, and Sainte-Chapelle were mercifully art installation-free. All were making an obvious effort to maintain the atmosphere of a house of worship despite the hoards of tourists. As we entered Notre Dame a large sign spelled out Silence in a lengthy list of languages. In addition an official stood by with the sole duty of saying “Shhh” every few minutes and as needed. It was the loudest, most officious Shhh I had ever heard. Ignoring these admonitions many tourists chattered away, at first in whispers but gradually becoming louder. When the noise level became too high a recording came on with a spectral Shhh echoing through the vast space like the voice of God himself. Then the word Silence was intoned in a multitude of languages like the tolling of a great bell from the Tower of Babel. For a time a mortified hush fell over the crowds until a fresh influx of visitors started the chattering up again.”
May the silence now be broken by the sounds of reconstruction until Notre Dame is restored to her former glory.



Myths of Power: A Marxist Study of the Brontes by Terry Eagleton, published in 1975. Quite what this book is doing on my bookshelf I have no idea. I must have acquired it long, long ago judging by the antique fashion in literary criticism it represents. Back in the 1960’s when I was educated at an English university the term “dialectical materialism” was tossed around with abandon by anyone wishing to seem a true intellectual. Marx was dragged into analysis of just about anything. But the Brontes? Surely not. The wild romantic moors of Yorkshire seem a world away from theories of an oppressed proletariat and dominant bourgeoisie locked in class struggle. Or are they? I don’t remember reading the book in the past but I decided to dig in and see if Marx can really shed light on the Bronte novels. 



The bride wore white. The bride wore red. It was an American wedding. The marriage of my cousin Christopher’s daughter Emily and Kunal, the son of Indian-Americans.