On My Bookshelf for National Poetry Month I find a book on a film of a play by a poet, the verse drama Murder in the Cathedral by T. S. Eliot. It is a story of faith, conscience, power, and murder.
I first saw this film decades ago when I was a student. Of all the films one sees in a lifetime only a few leave indelible images in the memory. I think of the first appearance of Death in Ingmar Bergman’s The Seventh Seal. And just as powerful, the chorus of women in Murder in the Cathedral who kneel in prayer and intone the sonorous words:
Since golden October declined into sombre November And the apples were gathered and stored, and the land became brown sharp points of death in a waste of water and mud, The New Year waits, breathes, waits, whispers in darkness…
Now I fear disturbance of the quiet seasons: Winter shall come bringing death from the sea, Ruinous spring shall beat at our doors, Root and shoot shall eat our eyes and our ears, Disastrous summer burn up the beds of our streams And the poor shall wait for another decaying October..
Some malady is coming upon us. We wait, we wait.
It is easy to discern the voice of the poet who wrote “April is the cruelest month,” the famous first line of The Waste Land. The chorus chant of the sufferings of the poor and set a tone of anguish and foreboding for the event to come.
On My Bookshelf I find a volume perfect for Women’s History Month, the story of medieval women songwriters whose words sound as fresh as if they were written today.
The troubadour is a familiar figure in Medieval history, a singer of songs of unrequited love for a beautiful and virtuous lady. But women troubadours? They were virtually forgotten until Meg Bogin published this study in 1976, the first since a German monograph in 1888. The book includes translations of the 23 songs that survive by 20 women. These voices from almost a thousand years ago are remarkably fresh and intimate, giving us a rare window into the lives of women in an age dominated by men.
In this edition of On My Bookshelf I rediscover a history lesson.
This little paperback was published by Pelican Books, an imprint founded by Penguin Books in 1937 to offer intellectual nonfiction to ordinary people for “no more than the price of a packet of cigarettes.” The books were very popular in the postwar period, The Guardian calling them an “informal university for ’50s Britons.” My copy of What is History? by E. H. Carr was published in 1965 and shows its age. The pages are not so much yellowed as nicotine colored but the spine has held up. When I open it, for the first time in decades, I see a dedication written inside. A friend gave it to me for Christmas in 1965. She signed it with her schoolgirl nickname which I will refrain from sharing with the world to preserve her dignity. She is one of the few friends from that long ago time I am still in touch with.
What led me back to this book after so long? I remembered it and thought it might shed light on the current controversy over the teaching of history, particularly the history of slavery and race in America. I was not disappointed. This is one of the first relevant quotes I came across:
“There is no more significant pointer to the character of a society than the kind of history it writes or fails to write.
In this episode of On My Bookshelf I reach for a cookbook.
“How do you make Toad in the Hole?” asked my 8 year old grandson. “Well, first I send you boys into the woods to find some toads while I make the holes,” I replied. “Then you drop the toads into the holes and we’re done.” The 6 year old looked confused but 8 was on to me. “That’s not true!” he protested. So I explained that the English give weird names to their foods but basically Toad in the Hole is just sausages in Yorkshire Pudding. That drew blank stares so I revised it to a sausage pancake. They liked the sound of that and agreed to help me, though once the Yorkshire Pudding batter was mixed they lost interest. I have the recipe for this and more odd sounding foods in Great British Cooking by Jane Garmey. I bought the book when it was first published in 1981, a time when the title was indeed an oxymoron. This was before the age of celebrity chefs like Gordon Ramsay and Jamie Oliver, before pubs turned into gastropubs, and before the Great British Bake Off came to America. British cooking really did have a terrible reputation, especially with Continental Europeans.
I bought this book on impulse because I will read anything about Bruegel. Perhaps it is my Flemish heritage that draws me to his work. I imagine my ancestors among the peasant crowds in his village scenes. It was only when I held the book in my hands that I recognized the author’s name. Toby Ferris wrote for The Dabbler, the site that first hosted my Dispatches, and he created Anatomy of Norbiton, a web site “exploring suburban life and universal failure as seen through the lens of Renaissance art.” My brother, the writer Frank Key, called it “a thing of strange and terrible beauty.” So I opened this book with heightened expectations. It would be no ordinary book about Bruegel.
There are 42 surviving paintings by Pieter Bruegel the Elder. He lived about 42 years, his birth year of 1525 is an approximation. Ferris was 42 and had recently lost his father when Continue reading “Reading Bruegel”→
Perhaps it was the restlessness induced by quarantine that had me prowling my own bookshelves in search of diversion. I needed a break from the world of Thomas Cromwell in Hilary Mantel’s The Mirror and the Light. (I know it is tantamount to sacrilege to criticize Miss Mantel, whose Cromwell trilogy I agree is a magnificent achievement, but did we need the menu for his every meal in the year leading up to his execution, surely the last meal would have been sufficient?) In this grumpy mood I came upon The Singing Game by Iona and Peter Opie, the legendary English folklorists, a book I hadn’t picked up Continue reading “On My Bookshelf – The Singing Game”→
Witchfinders – no, not characters in our contemporary political drama. But it could be that hearing cries of “Witch Hunt” almost every day for two years was what led me to this particular book on my shelf.Witchfinders by Malcolm Gaskillis a mesmerizing account of a seventeenth century English witch hunt, one of the most vicious on record, led by two Essex gentlemen, Matthew Hopkins and John Stearne. Hopkins earned the title Witchfinder General and became something of a folk hero in the villages and towns of East Anglia. Through torture and intimidation he extracted confessions and false witness accounts from terrified people, mostly women, arresting a total of 250 presumed witches. Over a hundred were publicly hanged.Continue reading “On My Bookshelf – Witchfinders”→
Myths of Power: A Marxist Study of the Brontes by Terry Eagleton, published in 1975. Quite what this book is doing on my bookshelf I have no idea. I must have acquired it long, long ago judging by the antique fashion in literary criticism it represents. Back in the 1960’s when I was educated at an English university the term “dialectical materialism” was tossed around with abandon by anyone wishing to seem a true intellectual. Marx was dragged into analysis of just about anything. But the Brontes? Surely not. The wild romantic moors of Yorkshire seem a world away from theories of an oppressed proletariat and dominant bourgeoisie locked in class struggle. Or are they? I don’t remember reading the book in the past but I decided to dig in and see if Marx can really shed light on the Bronte novels. Continue reading “On My Bookshelf – The Marxist Brontes?”→
Subtitled Catholics and the Left this worn little paperback sits on my bookshelf like a relic of another age. It was a time when English Catholics looked to Marxist thought to inspire a full expression of their faith. Released in 1966 by the Catholic publishers Sheed and Ward, Slant Manifesto is a compilation of writings by the founders of Slant. Slant was a journal published from 1964 to 1970 by a group of Catholic Cambridge undergraduates and Dominican priests, many of whom went on to become leading intellectuals and theologians. In the introduction to the Manifesto Neil Middleton explains that the group “is engaged in the exploration of the idea that Christian commitment at the moment carries with it the obligation to be socialist.” A sample of the chapter headings is a rough Continue reading “On My Bookshelf – Slant Manifesto”→
In honor of St. Patrick’s Day I pulled from my shelf this book of Stories and Myths from the North West of Ireland by Michael B. Roberts. Last summer I bought it at the Liber Bookshop in Sligo just a few days after we had the privilege of touring ancient sites in the area with the author. Roberts is an anthropologist and storyteller who has dedicated his life to preserving and renewing the myths of his people for future generations. We could Continue reading “On My Bookshelf – The Cailleach of Sligo”→