The humble dinner fork an instrument of the devil? Surely not! Yes, the fork has quite a notorious history. As soon as the new-fangled eating implement was introduced to Europeans by a Byzantine princess it became the focus of clerical ire. When Maria Argyropoulina arrived in Venice in 1004 to marry the son of the Doge she carried with her a case of golden forks to use at the wedding feast. Cleric Peter Damien, a future saint, witnessed the shocking scene:
Such was the luxury of her habits…[that] she deigned not to touch her food with her fingers, but would command her eunuchs to cut it up into small pieces, which she would impale on a certain golden instrument with two prongs and thus carry it to her mouth. God in his wisdom has provided people with natural forks – his fingers. Therefore it is an insult to Him to substitute artificial metallic forks for them while eating.
His opinion was confirmed a few years later when the unfortunate woman died of the plague, surely God’s punishment for her vanity he declared. The fact that sinful courtesans were known to eat sweets with a fork was even more reason to ban their use.
Continue reading “The Devil’s Tines”
I bought this book on impulse because I will read anything about Bruegel. Perhaps it is my Flemish heritage that draws me to his work. I imagine my ancestors among the peasant crowds in his village scenes. It was only when I held the book in my hands that I recognized the author’s name. Toby Ferris wrote for The Dabbler, the site that first hosted my Dispatches, and he created 
I wasn’t sure what I was looking at. Viewed from the top of the long sloping floor of the former power station it looked like an enormous tiered wedding cake. Perhaps it was the effect of the bland white surface that brought cake frosting to mind. The sculpture stood at the far end of the cavernous Turbine Hall in Tate Modern, where on previous visits we had seen other art installations, none particularly memorable. This would be different. As we came closer we heard the water. The tiers formed not a cake but a fountain, water 
Perhaps it was the restlessness induced by quarantine that had me prowling my own bookshelves in search of diversion. I needed a break from the world of Thomas Cromwell in Hilary Mantel’s The Mirror and the Light. (I know it is tantamount to sacrilege to criticize Miss Mantel, whose Cromwell trilogy I agree is a magnificent achievement, but did we need the menu for his every meal in the year leading up to his execution, surely the last meal would have been sufficient?) In this grumpy mood I came upon The Singing Game by Iona and Peter Opie, the legendary English folklorists, a book I hadn’t picked up 
Dispatches From the Former New World 