One day in the early 1960’s I came home to find that while I was in school my grandmother had been whisked away in an ambulance and taken to a mental hospital. The news followed several unsettling days, days of half heard whispered adult conversations, days when my grandmother kept to her room and my mother placed her meals on a tray outside the door. I learned a phrase I only half understood, paranoid delusions, but somehow I knew it meant my grandmother had gone mad.
It all started one evening when our neighbor came to the door. I was doing homework in the kitchen and overheard the conversation. She explained that she waited until my Continue reading “Tales of the Asylum”
Witchfinders – no, not characters in our contemporary political drama. But it could be that hearing cries of “Witch Hunt” almost every day for two years was what led me to this particular book on my shelf.
Myths of Power: A Marxist Study of the Brontes by Terry Eagleton, published in 1975. Quite what this book is doing on my bookshelf I have no idea. I must have acquired it long, long ago judging by the antique fashion in literary criticism it represents. Back in the 1960’s when I was educated at an English university the term “dialectical materialism” was tossed around with abandon by anyone wishing to seem a true intellectual. Marx was dragged into analysis of just about anything. But the Brontes? Surely not. The wild romantic moors of Yorkshire seem a world away from theories of an oppressed proletariat and dominant bourgeoisie locked in class struggle. Or are they? I don’t remember reading the book in the past but I decided to dig in and see if Marx can really shed light on the Bronte novels. 
I finally got to watch the much lauded film The Darkest Hour last weekend. Gary Oldman’s performance as Winston Churchill certainly deserved the Oscar Award for Best Actor. Equally deserving were the creative group who won the Oscar for Makeup. In real life Oldman looks nothing at all like Churchill, but with an inspired combination of acting skill and makeup bravura he pulls off the seemingly impossible. Director Joe Wright brings a suspenseful “you are there” quality to the story of Churchill’s first days in office in 1940, battling with political rivals who favored a pact with Hitler and strategizing to save the British army trapped in Dunkirk. It is a “warts and all” portrait including Churchill’s excessive drinking and his controversial decision to sacrifice the garrison at Calais to buy time to evacuate the troops from Dunkirk. So far, so historical. But then came a scene I knew was an anachronism. Churchill giving his famous V sign for Victory. But that couldn’t have happened in 1940 for the V campaign didn’t start until 
Dispatches From the Former New World 